Thursday, August 30, 2012
M. Christian's ManLove Collection From Sizzler Editions
I can never say it enough: Renaissance E Books/Sizzler Editions is the best: not only have they been fantastic in re-releasing my queer erotica - as well as lots of other fun books - but they just put up this great subsection on their site just for my gay erotic books...
AND speaking of which, not only have they just put out a new edition of Me2 (which I still deny writing) but coming very, very soon is a re-release of my Lambda finalist collection, Dirty Words - and here's a look at the fantastic new cover:
Tuesday, August 28, 2012
M.Christian Is Coming To New York
Check your calendars folks - or run for the hills, if you'd prefer - but I'm not only going to be taking a bite out of the Big Apple as a tourist in late September ... but teaching some very cool classes as well!
Here's what I'm going to be doing and where ... hope to see you there!
#
TES MEETING: RELATIONSHIPS SIG - POLYAMORY: HOW TO LOVE MANY AND WELL
DATE: Wednesday, September 26, 2012
TIME: 8:00PM - 11:00PM
LOCATION: Joria Studios
260 West 36th St, 3rd Floor, between 7th and 8th Aves
CLASS DESCRIPTION:
Sure, you've heard of it – and maybe been intrigued by it – but what is polyamory and how do you love more than one person and make it work? How can you deal with jealousy, time-management, emotional rough patches, and more, to enter into multiple sexual relationships? We'll learn to separate the myths from the realities of polyamory, how to make tentative steps towards having more than one partner, and how to approach and deal with the problems of sharing yourself with others, and being involved with someone who, in turn, is involved with someone else.
Doors open at 7:30 pm - Meeting begins at 8 pm
COST: TES Members $4, Students with ID $4, Reciprocal Groups $6, Non-Members $10
FURTHER INFORMATON: TES (https://www.tes.org)
#
MAGIC WORDS: USING EROTIC WRITING TO EXPLORE YOUR HIDDEN SEXUALITY AND SPIRITUALITY
DATE: Thursday, September 27, 2012
TIME: 6:30PM - 8:30PM
LOCATION:
SHAG ...a sexy shop
108 Roebling Street @ N. 6th Street
Brooklyn, NY 11211
347.721.3302
weloveshag@gmail.com
CLASS DESCRIPTION:
There are many ways to reach your inner sexual and spiritual self - but one of the most surprisingly powerful paths is through the written word. In this lecture/workshop, participants will hear how erotic writing (fiction as well non-fiction) can reach hidden places that often lay unexposed, and to help make personal discoveries and to assist in a personal journey of self and sensuality. Participants will learn how to free their erotic writing voices, how to develop their writing towards discovering their erotic spirits within, and when to silence - and when to listen - to the inner critic.
COST: $20
FURTHER INFORMATON: SHAG’S SITE
#
SEX SELLS: HOW TO WRITE AND SELL EROTICA
DATE: Saturday, September 29, 2012
TIME: 1:00PM – 3:00PM
LOCATION:
The Lesbian, Gay, Bisexual &
Transgender Community Center
208 West 13th Street
New York, NY 10011
Website: www.gaycenter.org
Phone: 212-620-7310
CLASS DESCRIPTION:
Celebrated erotic author M. Christian will be teaching his acclaimed sex-writing class and workshop Sex Sells: How To Write And Sell Erotica one time only in New York City!
The market for erotic fiction and nonfiction has always been popular but these days it's truly booming. Gay, lesbian, bi, straight ... you name it and it's selling like mad!
But even though the genre is more popular that ever, doesn't mean that there aren't important lessons to be learned in how to write, and sell, effective erotica.
For the beginning writer, erotica can be the ideal place to begin getting published, and - best of all - earning money ... and for the experienced author, erotica can be an excellent way to beef up your resume and hone your writing skills.
In Sex Sells: How To Write And Sell Erotica - this wildly entertaining class - M. Christian will review the varieties of personal and literary expression possible in this exciting and expanding field. Here you'll learn not just these creative techniques to writing stories that wonderfully sizzle but also essential lessons in dealing with editors, publishers, marketing your work, using social networking sites, and more.
In Sex Sells: How To Write And Sell Erotica you'll learn:
· How to create love and sex scenes that sizzle
· Current pay rates
· How to write for a wide variety of erotic genres
· Where and how to submit your writing
· The ebook revolution and what it means for writers of any genre
· How to cultivate your erotic imagination
· Where to sell your work to magazines, websites, anthologies, book publishers
· Techniques for writing convincing stories for sexual orientation and interests beyond your own
· The best Internet resources for writers of erotica
· How respond to fans, reviewers and criticism
- and much, much more
COST: $20
FURTHER INFORMATON: www.mchristian.com
Here's what I'm going to be doing and where ... hope to see you there!
#
TES MEETING: RELATIONSHIPS SIG - POLYAMORY: HOW TO LOVE MANY AND WELL
DATE: Wednesday, September 26, 2012
TIME: 8:00PM - 11:00PM
LOCATION: Joria Studios
260 West 36th St, 3rd Floor, between 7th and 8th Aves
CLASS DESCRIPTION:
Sure, you've heard of it – and maybe been intrigued by it – but what is polyamory and how do you love more than one person and make it work? How can you deal with jealousy, time-management, emotional rough patches, and more, to enter into multiple sexual relationships? We'll learn to separate the myths from the realities of polyamory, how to make tentative steps towards having more than one partner, and how to approach and deal with the problems of sharing yourself with others, and being involved with someone who, in turn, is involved with someone else.
Doors open at 7:30 pm - Meeting begins at 8 pm
COST: TES Members $4, Students with ID $4, Reciprocal Groups $6, Non-Members $10
FURTHER INFORMATON: TES (https://www.tes.org)
#
MAGIC WORDS: USING EROTIC WRITING TO EXPLORE YOUR HIDDEN SEXUALITY AND SPIRITUALITY
DATE: Thursday, September 27, 2012
TIME: 6:30PM - 8:30PM
LOCATION:
SHAG ...a sexy shop
108 Roebling Street @ N. 6th Street
Brooklyn, NY 11211
347.721.3302
weloveshag@gmail.com
CLASS DESCRIPTION:
There are many ways to reach your inner sexual and spiritual self - but one of the most surprisingly powerful paths is through the written word. In this lecture/workshop, participants will hear how erotic writing (fiction as well non-fiction) can reach hidden places that often lay unexposed, and to help make personal discoveries and to assist in a personal journey of self and sensuality. Participants will learn how to free their erotic writing voices, how to develop their writing towards discovering their erotic spirits within, and when to silence - and when to listen - to the inner critic.
COST: $20
FURTHER INFORMATON: SHAG’S SITE
#
SEX SELLS: HOW TO WRITE AND SELL EROTICA
DATE: Saturday, September 29, 2012
TIME: 1:00PM – 3:00PM
LOCATION:
The Lesbian, Gay, Bisexual &
Transgender Community Center
208 West 13th Street
New York, NY 10011
Website: www.gaycenter.org
Phone: 212-620-7310
CLASS DESCRIPTION:
Celebrated erotic author M. Christian will be teaching his acclaimed sex-writing class and workshop Sex Sells: How To Write And Sell Erotica one time only in New York City!
The market for erotic fiction and nonfiction has always been popular but these days it's truly booming. Gay, lesbian, bi, straight ... you name it and it's selling like mad!
But even though the genre is more popular that ever, doesn't mean that there aren't important lessons to be learned in how to write, and sell, effective erotica.
For the beginning writer, erotica can be the ideal place to begin getting published, and - best of all - earning money ... and for the experienced author, erotica can be an excellent way to beef up your resume and hone your writing skills.
In Sex Sells: How To Write And Sell Erotica - this wildly entertaining class - M. Christian will review the varieties of personal and literary expression possible in this exciting and expanding field. Here you'll learn not just these creative techniques to writing stories that wonderfully sizzle but also essential lessons in dealing with editors, publishers, marketing your work, using social networking sites, and more.
In Sex Sells: How To Write And Sell Erotica you'll learn:
· How to create love and sex scenes that sizzle
· Current pay rates
· How to write for a wide variety of erotic genres
· Where and how to submit your writing
· The ebook revolution and what it means for writers of any genre
· How to cultivate your erotic imagination
· Where to sell your work to magazines, websites, anthologies, book publishers
· Techniques for writing convincing stories for sexual orientation and interests beyond your own
· The best Internet resources for writers of erotica
· How respond to fans, reviewers and criticism
- and much, much more
COST: $20
FURTHER INFORMATON: www.mchristian.com
Me2 - THE NEW EDITION!
The horror ... the horror, I tell you ... about that impostor "M.Christian" knowns no bounds!
Believe it or not, there's a brand new - and in many ways improved - edition of Me2 out there now by Renaissance E Books/Sizzler Editions!
You owe it to all that is right and true in this universe to buy it right now - if just to see how poorly this other "M.Christian" imitates me!
From the Sizzler Blog:
Believe it or not, there's a brand new - and in many ways improved - edition of Me2 out there now by Renaissance E Books/Sizzler Editions!
You owe it to all that is right and true in this universe to buy it right now - if just to see how poorly this other "M.Christian" imitates me!
From the Sizzler Blog:
Sizzler is extremely pleased and proud to be able to announce the re-release of M. Christian's extremely controversial queer horror/thriller novel, Me2 ... though there is some doubt that the author is actually another M. Christian...
"Absolutely brilliant!" says Lisabet Sarai, author of Incognito and Fire, about M. Christian's controversial manlove male horror/thriller.
He looks just like you. He acts exactly like you. He takes away your job. He steals your friends. He seduces your lover. None of them can tell the difference. Every day he becomes more and more like you, pushing you out of your own life, taking away what was yours … until there’s nothing left. Where did he come from? Robot? Alien? Clone? Doppelganger? Evil twin? Long lost brother? How do you know that you are the real you? And how to you fight back to reclaim your life?
A fascinating novel of identity, Me2 is a groundbreaking manlove chiller you’ll remember for a long time – no matter who you are, or who you think you may be.
(Despite rumors that this book was written by an impostor - but, rest assured, this is the real 'M. Christian.' Accept no substitutes!)
MORE ABOUT THIS BOOK:
Me2 is a unique and always entertaining fable-novel about what exactly identity may entail and how we may or may not decide whether it's worth the price of keeping it.
- Felice Picano, author of Art & Sex in Greenwich Village
M. Christian has a delightful, marvelously twisted way with words which cause his narratives to crawl beneath your skin and fester there, making you go back for more. He writes with a strong, unique voice which is not only entertaining but also makes you think, makes you ponder the improbable. You'll think you've read this delicious, fast-paced story, but did you? Or was it you?
- Mari Adkins contributing editor, Apex Science Fiction and Horror Digest
"With delicious slyness, M. Christian creates a world in which the familiar becomes sinister and the comfort of daily routine is replaced by a growing sense of dread. His modern parable lays bare the all-too-real dangers inherent in the sacrifice of individuality in the pursuit of cultural homogenization."
- Michael Thomas Ford, author of Full Circle and Changing Tides
Saturday, August 25, 2012
Jessewave Likes The Very Bloody Marys
Honesty from the outset~
I like stories which are a bit out of the ordinary bordering on quirky.The Very Bloody Marys is definitely that. I mean seriously 'a marauding gang of Vespa-riding vampires'?!? You gotta love that concept.
First things first~
This book is written in the first person from the point of view of the main character, Valentino. As I've said before this is a POV that I have mixed feelings about. In this instance, however, it worked for me for a couple of reasons.
The first reason is that the author gave Valentino a conversational voice; very much like he was sitting down next to you recounting his day (or night in this case), which I immediately connected with. The second was my affinity with Valentino himself, who is pretty much a sarcastic smart-arse with a significant dash of loser. Needless to say that I could sooo relate. *g*
Let me give you all a taste:It was one of those awful San Francisco nights: a heartbreaker wrapped up in a smothering fog smelling like diesel oil leaking from a busted-up truck, the streets all reflective with the tears of a thousand broken hearts, and the bloated bodies of all those leaping lovers floating up from the icy darkness of the bay…
Nah, too much of a downer. Besides, Hammett and Chandler - or at least the fifty million trench-coated, alcoholic, chain-smoking Bogarts who worshipped them - would have my balls on an outrageously baroque platter.
This is the city. Half a million people trying to carve out their own piece of the American pie, serve it up on affordable china purchased on credit from a moderately upscale chain store to their 2.5 kids, spicing it up every once in a while with a clumsy fondle of the babysitter or the tennis coach. It’s not a bad city, as cities go, full of pretty good, fairly decent people who usually play by the rules. But when they don’t that’s where I come in. My name is Valentino.Yes, it's cheesy and littered with cliches and puns. Yet, for me, it was successful because of the fact that the author is unapologetic in his play/use of language and has his tongue firmly trapped in his cheek. Think noir and you'll be on the right track.
The story also appealed to me because Valentino is very definitely a reluctant hero, which is a character I adore... when it works. It very much does in the case of The Very Bloody Marys and as the story progresses our hero grows too, but remains 'human', faults and all.
A couple of issues/warnings~
Some may, as I did, find the story slow going at the start. Whilst I understood the author was providing the reader with an understanding of Valentino's character prior to the main events, I found the 'inner dialogue' a little too much to begin with.
I also got the impression in the first few pages of the book that Valentino is retelling his story to us/the reader. I personally didn't think this followed through for the rest of the book. This didn't bother me because I much preferred the story the way it ended up being told. It's just something that could, I think, be easily dealt with whenever there is an opportunity to in the future. (That is if, of course, I'm right. :) )
This is not a romance in the hot sex, HFN, etc kind of way. There are elements of romance, although not what many will expect or want. *zipping mouth* Not saying any more for fear of spoilers.
The 'marauding gang of Vespa-riding vampires' only have a few appearances, which I was a little disappointed about. Still, you couldn't ask for a more unique catalyst.
My recommendation~
This is not a book that will appeal to all. It is for those intrigued or interested in noir, which has dark humour and a supernatural twist - and I do mean twist because it IS a crime/mystery and is meant to keep the reader guessing - and that it does! *g*
Friday, August 24, 2012
Thursday, August 23, 2012
Kathleen Bradean Loves The Very Bloody Marys
Thank you, Kathleen, for this wonderful review of The Very Bloody Marys!
I've been indulging in a M. Christian reading binge lately. I finished his vampire tale, Running Dry (very good), and then slipped right into The Very Bloody Marys, his newest vampire story.
Valentino is a 200-year old rookie vampire cop who is fated to spend eternity as the screw-up assistant to undead drill sergeant cop and all around bastard, Pogue. That is, until Pogue mysteriously disappears. The powers (of the night) want Valentino to find Pogue and stop a rogue band of vampires who call themselves the Very Bloody Marys. The only problem is that Valentino has no clue what he's doing. He stumbles around San Francisco, making an unholy mess of the case, while sinister otherwordly beings manipulate him into doing their bidding. Valentino isn't as hopeless as he thinks he is though, and manages to find out what happened to his mentor, figure out who the real bad guy is, and take down the Very Bloody Marys.
The Very Bloody Marys isn't a story about being a vampire (although that's part of it). It's a good-ole gumshoe novel, a mystery with enough twists to keep me guessing and page-turning action. The characters were so original that it never felt like a rehash of vampire legend (thank god!). And the best part - this book supplied enough of a taste of otherworld San Francisco to pique my interest, but left me wanting more. Hopefully, M. Christian will do me a favor write another one. Soon.
Wednesday, August 22, 2012
Supporting Pussy Riot By Stephen Fry
Supporting Pussy Riot - from Stephen Fry's Blog
Dear Maria, Nadezhda and Ekaterina,
I can’t imagine how you are feeling at the moment as you begin the astoundingly unfair and disproportionate prison sentence that has been handed out to you.
It might cheer you to know that so many people around the world are thinking of you and doing what they can, through Amnesty International and other bodies, to see if your sentence can’t be reduced, commuted or suspended.
It has been a confusing time for me, as I have watched the arguments ebb and flow on Twitter and in the bars and cafés of London. Some feel that what you did was blasphemous (blasphemy has been well described as a victimless crime, but if it is against the law in your country as it was in mine in my lifetime, then some penalty might be expected) and some believe that it was a tasteless, immature and trashy protest for which they can offer no sympathy. I have read your closing statement, Ekaterina, (http://boingboing.net/2012/08/11/pussy-riots- closing-statemen.html and http://nplusonemag.com/pussy-riot-closing- statements) and I know that despite Pussy Riot’s “punk” affect and ethos, which can put some people off, that you are highly intelligent, educated and articulate people who knew exactly what you were doing and had good reason for it. Your argument was not with the religious, or with Christianity, but with Putinist croneyism within the ranks of the Orthodox Church, especially this particular building, the Cathedral of Christ the Saviour.
But most sensible people, whether they are Christian or not and even if they are blind or deaf to the statement there for all to read in the links above, can surely see that a long pre-trial period in gaol followed by such a severe sentence which unashamedly announced that it was given not according to strict law, but in order to “send out a message” is not just in any state that claims to be a fair free democracy.
I write this as an unashamed Russophile. I find it so hard to bear that the country of Tchaikovsky is allowing a toxic mixture of shaven-headed nationalists and fundamentalist churchmen to dictate laws on homosexuality for example. Part of your “crime” was to come out on the side of gay rights. It astonishes me how the history of Russia seems to repeat itself. Pushkin was sent into exile by an offended Tsar. Dostoevsky was taken to a firing squad and only reprieved at the last minute before being exiled too. And then in the Communist era, as we all know, artists, writers, intellectuals and liberals of all kinds were under constant threat of exile, forced labour or even execution. Now we seem to be moving towards a similar position. I am not saying, and nor would you claim, that you are the equal of Pushkin or Dostoevsky, but that isn’t the point. The fight is for free speech, and this isn’t limited only to gigantic towering titans of literature.
Some cynics (and believe me, my country is stuffed with them) will ask why I am not writing to those imprisoned in Iran or China. Well, I have the faint, perhaps forlorn, hope, that Russia and its leader might be faintly more persuadable. I know how much he and his followers hate being “lectured” by western liberals, but the fact is I find it impossible to be silent in the face of such monstrous injustice and preposterous tyranny. And that’s the point. Putin hasn’t made a monster of himself. He has made a fool of himself. It is often said that had the world laughed at Hitler early enough he would never have taken the hold on power he did. I do not call Putin a Hitler. Yet. But it is time to laugh him out of this stance and you out of incarceration.
Stephen
This letter was first sent to Amnesty International for publication on their website.
Tuesday, August 21, 2012
Mascara and Tears
Here's a little treat: the very short - but I think quite nice - story, "Mascara and Tears," from my queer erotica collection, Bodywork: out now from the always-fantastic Renaissance Books/Sizzler Editions.
Mascara and Tears
Lost in memories, Juan didn't care his mascara was running.
He'd started the night pretty. Spent his usual too much time picking and discarding this dress, that boa, that wig, those shoes, those hose, those boobs and sitting in front of the mirror playing with eyeliner, lipstick, blush and all the rest. When he'd left his little place he'd been what he wanted to be: gorgeous with just the right touch of over-the- top tacky.
For that night he had to be – he had to be more than just his usual devastating best. Tonight was their one-year anniversary. One year ago. He had to look his absolute best for that.
Done up, he'd though about going clubbing – showing off his gorgeous self to his friends, the other dames. It's what he'd been doing a year ago, exactly – going from this hot stop to that one, prancing and posing, whooping and playing with fans, dishing and laughing – when he'd met Alda.
Queens don't have kings. At best they have boyfriends, lovers and admirers. But Alda was different. He didn't wear a crown, didn't act like it at all but, sure enough, for Juan he was a king. From their first meeting he treated Juan like the queen that he was – held his hand, stroked his brow, told him when he looked gorgeous, said – and meant it – if this or that dress made him look fat. He was perfect, ideal.
He was a king in bed, too.
Though he didn't wear the toys on his hips like a regular leatherman, he had quite a hefty bag of tricks. In his car, parked on a dark street, looking up at a dark apartment window, Juan remembered one special time: It was after a Brazilian Carnival party – Juan done all Carmen Miranda with fruit balanced on his head – when Alda took him into an alley. Slipping on a cheesy Spanish accent Alda rumbled out "Fucking bitch – you're gonna take it and like it" and lifted Carmen's skirt, tore off her pantyhose, yanked down her panties, spat on his hand, got her all good and wet and open, slipped on a handy condom, and fucked her right there with her face pressing into dirty bricks. Sure, Juan liked it rough and wasn't new to it, but he wasn't Juan, he was Carmen and Carmen protested and fought as Alda's big dick slid into her. Squealing with pain/pleasure as Alda fucked her South American ass until Carmen ... well, Juan ... couldn't take it anymore and hard to (had to!) haul his own cock out and stroke himself as Alda. It was love, and a lovely fuck – and Alda came (jerking like a man shocked) just as Juan did, his own come painting the brick walls with shiny jism.
He'd started the night pretty. Spent his usual too much time picking and discarding this dress, that boa, that wig, those shoes, those hose, those boobs and sitting in front of the mirror playing with eyeliner, lipstick, blush and all the rest. When he'd left his little place he'd been what he wanted to be: gorgeous with just the right touch of over-the- top tacky.
For that night he had to be – he had to be more than just his usual devastating best. Tonight was their one-year anniversary. One year ago. He had to look his absolute best for that.
Done up, he'd though about going clubbing – showing off his gorgeous self to his friends, the other dames. It's what he'd been doing a year ago, exactly – going from this hot stop to that one, prancing and posing, whooping and playing with fans, dishing and laughing – when he'd met Alda.
Queens don't have kings. At best they have boyfriends, lovers and admirers. But Alda was different. He didn't wear a crown, didn't act like it at all but, sure enough, for Juan he was a king. From their first meeting he treated Juan like the queen that he was – held his hand, stroked his brow, told him when he looked gorgeous, said – and meant it – if this or that dress made him look fat. He was perfect, ideal.
He was a king in bed, too.
Though he didn't wear the toys on his hips like a regular leatherman, he had quite a hefty bag of tricks. In his car, parked on a dark street, looking up at a dark apartment window, Juan remembered one special time: It was after a Brazilian Carnival party – Juan done all Carmen Miranda with fruit balanced on his head – when Alda took him into an alley. Slipping on a cheesy Spanish accent Alda rumbled out "Fucking bitch – you're gonna take it and like it" and lifted Carmen's skirt, tore off her pantyhose, yanked down her panties, spat on his hand, got her all good and wet and open, slipped on a handy condom, and fucked her right there with her face pressing into dirty bricks. Sure, Juan liked it rough and wasn't new to it, but he wasn't Juan, he was Carmen and Carmen protested and fought as Alda's big dick slid into her. Squealing with pain/pleasure as Alda fucked her South American ass until Carmen ... well, Juan ... couldn't take it anymore and hard to (had to!) haul his own cock out and stroke himself as Alda. It was love, and a lovely fuck – and Alda came (jerking like a man shocked) just as Juan did, his own come painting the brick walls with shiny jism.
In his car, Juan looked up at the dark apartment window, mascara streaking his cheeks. He thought about Alda, about the other times – many in his king's apartment.
Alda liked westerns. His little apartment had been decorated with the stuff of them: barbed wire, a saddle over the foot of his big bed, paintings of lonely-looking cowboys, wrought-iron fixtures sporting his bottomless collection of cowboy hats. On Alda's twenty-sixth birthday Juan had surprised him – doing an Indian princess was surprisingly hard (without making himself look like a cheap costume shop reject) but he was pleased with the result.
And, seeing him, Alda was as well. Juan almost didn't have enough time to even start the patter he'd been rehearsing all day before Alda grabbed Pocahantas like a starving mountain man.
"Ain't you the most beautiful thing I've ever done seen," Alda said, tossing one of his hats on his head and tearing at Pocahantas – removing her simple buckskin with one swipe of his meaty (though fine) hand.
The Indian princess squealed in protest – but not for long: it's hard to argue when a condomed cock is filling your mouth.
"Tasty as sweet corn," Alda said, slowing moving her mouth up and down on his cock, fucking her face with his big dick. Pocahantas tried to force him away but the cowboy was too strong for her (that and Juan didn't really want to escape). Savagely, persistently, he filled the girl's mouth, pushing and pulling his cock into her till – with a hearty "Yippie Kay Yay!" that must have startled the neighbors – he came: hot cream jerking out of his cock and warming the inside of Juan's mouth.
Pocahantas and the cowboy fucked and sucked each other till they couldn't – till their bodies refused to come any more: it wasn't until late the next day that Juan could turn, dazed and blurry, to wish his lover, "Happy Birthday."
One year. In his car, Juan looked up at the window. Remembering other times, other kisses, chats, dinners, breakfasts – other comes and laughter. He remembered and cried, his tears marking his face with the stigmata of a sad drag queen.
Alda liked westerns. His little apartment had been decorated with the stuff of them: barbed wire, a saddle over the foot of his big bed, paintings of lonely-looking cowboys, wrought-iron fixtures sporting his bottomless collection of cowboy hats. On Alda's twenty-sixth birthday Juan had surprised him – doing an Indian princess was surprisingly hard (without making himself look like a cheap costume shop reject) but he was pleased with the result.
And, seeing him, Alda was as well. Juan almost didn't have enough time to even start the patter he'd been rehearsing all day before Alda grabbed Pocahantas like a starving mountain man.
"Ain't you the most beautiful thing I've ever done seen," Alda said, tossing one of his hats on his head and tearing at Pocahantas – removing her simple buckskin with one swipe of his meaty (though fine) hand.
The Indian princess squealed in protest – but not for long: it's hard to argue when a condomed cock is filling your mouth.
"Tasty as sweet corn," Alda said, slowing moving her mouth up and down on his cock, fucking her face with his big dick. Pocahantas tried to force him away but the cowboy was too strong for her (that and Juan didn't really want to escape). Savagely, persistently, he filled the girl's mouth, pushing and pulling his cock into her till – with a hearty "Yippie Kay Yay!" that must have startled the neighbors – he came: hot cream jerking out of his cock and warming the inside of Juan's mouth.
Pocahantas and the cowboy fucked and sucked each other till they couldn't – till their bodies refused to come any more: it wasn't until late the next day that Juan could turn, dazed and blurry, to wish his lover, "Happy Birthday."
One year. In his car, Juan looked up at the window. Remembering other times, other kisses, chats, dinners, breakfasts – other comes and laughter. He remembered and cried, his tears marking his face with the stigmata of a sad drag queen.
Starting his car, he blew a kiss to the dark apartment window. Driving away he remembered one more thing, one of the last things Alda had said, before the machines stopped beeping and the crying really started: "The king is dead, sweetheart – long live the queen."
Monday, August 20, 2012
Pussy Riot and Religion By Kit O'Connell
(from Frequently Felt)
Here's a fantastic piece by the equally fantastic Kit O'Connell about the travesty that's the Pussy Riot situation in Russia...
Of course most people have heard by now that the Russian punk band Pussy Riot were sentenced to 2 years in jail for their guerilla performance of “Punk Prayer” in a Russian Orthodox Cathedral. From Russia Today:
I empathize with those who feel the sanctity of the church should be respected. I think there’s value in creating spaces that are ritualistic and special — I’ve experienced my equivalent at Burning Man events, yet those spaces are also bastions of free speech, debate and self-expression. If Pussy Riot had gone into any small church and disrupted a service without cause, I might feel differently. They didn’t though — they chose to protest at the major symbol of Russian Orthodoxy, and to specifically target the ways in which the religion has become another way for Putin to assert authority over the populace.
If we’re to respect the division between Church and State, what happens when Church becomes a tool of State? Is Church forever a space exempt from disruptive free speech, or does it give up that special privilege at some point? When and how can we object to the ways in which religion disrupts the public order of our lives?
And where do people without religion go to escape the disruptive effects of repressive religious forces? As far as I can tell, there isn’t anywhere. Conservative religious views infect our local, state and national governments. Women’s health plans are gutted in the name of Christ, while so-called Christians look the other way as people starve on the streets. For every group like Faith Action for Women in Need or the Nuns on the Bus, it can seem like there’s a dozen others intent on forcing modern people to accept the most regressive reading possible of their ancient sacred text. Where and when do the rest of us get unfettered free speech and autonomy?
In closing I would just like to say, FREE PUSSY RIOT!
Here's a fantastic piece by the equally fantastic Kit O'Connell about the travesty that's the Pussy Riot situation in Russia...
By Kit O'Connell
Image: Molly Crabapple
Of course most people have heard by now that the Russian punk band Pussy Riot were sentenced to 2 years in jail for their guerilla performance of “Punk Prayer” in a Russian Orthodox Cathedral. From Russia Today:
A Moscow court has sentenced three members of Pussy Riot to two years in a medium-security prison for hooliganism motivated by religious hatred and enmity. The six months the girls have spent in pre-trial custody will count as time served. The Judge said Nadezhda Tolokonnikova, Maria Alyokhina and Ekaterina Samutsevich showed flagrant disregard for church parishioners and the fundamentals of the Orthodox faith.Though almost everyone agrees that their charge is too extreme, many people I speak to in the United States object to what they see as the desecration of a sacred space by these young punk women. Let’s look at Pussy Riot and the Two Russias from Common Dreams for some context before we continue:
…
“By their actions, Samutsevich, Tolokonnikova and Alyokhina seriously disrupted public order and the day-to-day running of the Cathedral. They showed blatant disrespect to church-goers and workers, and in doing so gravely offended their religious sensibilities,” Judge Syrova stated announcing the verdict.
The audience met the sentence with sporadic shouts “Shame on the Court!“
The crackdown on Pussy Riot is part of a broader attack on dissent in Russia. In recent weeks, we’ve seen the introduction and rapid passage of a quartet of laws that undermine Russia’s democratic ambitions: (Re-)criminalization of “defamation”; a blacklist of “harmful” websites; punitive fines on participants in “unsanctioned” protests; and a mandate that nonprofits declare foreign funding and brand themselves “foreign agents.” Russia, alas, is not the only country cracking down on political freedom. But these broadly worded, swiftly passed laws represent another wave in Russia’s de-democratization, a process started under Boris Yeltsin and continued under Putin.
…
But lost in much of the coverage is a sobering reality: there are two Russias. The country’s deep divisions are reflected in the polling on Pussy Riot, with only a 43 percent plurality telling pollsters that a potential two-to-seven-year sentence is disproportionate. Why? There’s more in place here than simple offense at their act.
To many Russians, Russia feels like two different countries: one is urban, hyper-Westernized, aggressively modern, and seems condescending in its attitude to ordinary people; the other is the Russian heartland in the regions and provinces, where people are suffering economically and believe they’re guarding the country’s traditional values and religious convictions. This is the lens through which some Russians view Pussy Riot’s imprisonment: not individual freedom of conscience versus the state but national pride and religious faith versus a well-off, urban elite. Putin has masterfully stoked such resentments, framing the resistance to his authority as an affront to the values of the nation (a segment on state TV last month called protests in defense of Pussy Riot a “vanity fair”). Too many Western journalists ignore or underestimate the effectiveness of that appeal.
Politicians that appeal to “traditional” religious values as a way to push their agenda and gain power? Maybe the reason that so many Western journalists ignore this aspect of the story is because it reminds us uncomfortably of our own situation. All around the United States, “religious freedom” is argued as a reason to allow everything from discrimination against gays to rolling back reproductive rights. Women and minorities are treated like chattel or livestock, and all too often the bible is the justification. When the Department of Homeland Security issued a report warning of the danger from right-wing religious extremists, political pressure forced them to rescind it, keeping their focus squarely on practitioners of Islam and peaceful activists.
(Photo: Grüne Bundestagsfraktion / Flickr)
I empathize with those who feel the sanctity of the church should be respected. I think there’s value in creating spaces that are ritualistic and special — I’ve experienced my equivalent at Burning Man events, yet those spaces are also bastions of free speech, debate and self-expression. If Pussy Riot had gone into any small church and disrupted a service without cause, I might feel differently. They didn’t though — they chose to protest at the major symbol of Russian Orthodoxy, and to specifically target the ways in which the religion has become another way for Putin to assert authority over the populace.
If we’re to respect the division between Church and State, what happens when Church becomes a tool of State? Is Church forever a space exempt from disruptive free speech, or does it give up that special privilege at some point? When and how can we object to the ways in which religion disrupts the public order of our lives?
And where do people without religion go to escape the disruptive effects of repressive religious forces? As far as I can tell, there isn’t anywhere. Conservative religious views infect our local, state and national governments. Women’s health plans are gutted in the name of Christ, while so-called Christians look the other way as people starve on the streets. For every group like Faith Action for Women in Need or the Nuns on the Bus, it can seem like there’s a dozen others intent on forcing modern people to accept the most regressive reading possible of their ancient sacred text. Where and when do the rest of us get unfettered free speech and autonomy?
In closing I would just like to say, FREE PUSSY RIOT!
So Sweet - So Wonderful!
If you think gays have been in the back of a closet for most of history, think again.
Source: wingerjock.com
Source: wingerjock.com
Source: wingerjock.com
Source: wingerjock.com
Sunday, August 19, 2012
A Riot Of Support For Pussy Riot!
(via Frequently Felt)
A Riot Of Support For Pussy Riot!: From Arrests, breasts, chainsaws: Punk world backs Pussy Riot:
A Riot Of Support For Pussy Riot!: From Arrests, breasts, chainsaws: Punk world backs Pussy Riot:
A topless Ukrainian feminist felled a cross with a chainsaw, balaclava-clad New Yorkers braved arrest to picket an Orthodox church and Bulgarian punks re-decorated a war memorial.
Protesters took to the streets in cities around the world Friday to protest Russia’s jailing of female punk trio Pussy Riot, in colorful demonstrations inspired by the group’s anarchic, countercultural style of activism.
Rallies for Pussy Riot sprang up in London, Kiev, Barcelona, Sofia, Brussels, Paris and New York as a Moscow court convicted the young women of “hooliganism” and sentenced them to two years in prison.
“I’m here to express my outrage and to spread the word to people who don’t know what’s going on,” said Russian-American Xenia Grubstein, 31, sporting a purple balaclava outside the Saint Nicholas Orthodox church in New York.
Pussy Riot wore knitted facemasks at their now notorious February 21 protest in Moscow’s biggest cathedral, where they sang a raucous number calling on the on the Virgin Mary to drive out Russia’s President Vladimir Putin.
The headgear has become the signature garment of their new global following, although one topless protester in Ukraine chose a less modest route, stripping to boots, cut-off shorts, safety goggles and a chainsaw.
Inna Shevchenko, a member of the Femen feminist group with “Free Riot” written on her chest and an arm, sawed clean through a huge wooden cross erected in memory of the victims of Stalin’s repression.
The protest in New York was less spectacular, but there were six arrests, for blocking traffic or, under an obscure local law, for wearing face masks.
“We’re not here to fight. We’re here to peacefully express ourselves about what’s wrong,” Russian-American protest singer Ellina Graypel, 40, said as police ordered her to move away from the sidewalk outside the consulate.
While some expatriate Russians turned up to demand freedom in their homeland, most at the protest were New Yorkers from diverse backgrounds, including Sarah Soller of lesbian punk band “Tin Vulva.”
“I’m here because I’m in a punk rock band and we’re not being jailed for our views. I find it ridiculous,” the 27-year-old said.
In London, around 50 people gathered at the Royal Court theatre which staged a mini-play entitled “Pussy Riots, the final verdict,” where actresses repeated the three women’s arguments from during their trial.
And in Bulgaria, Sofia’s Soviet army monument got a brief new facelift Friday morning when Pussy Riot supporters decorated its soldiers with the trademark colored balaclavas.
“Pussy Riot is an inspirational symbol of the fight for democracy in Russia,” the activists behind the stunt said, in a message emailed to AFP.
Authorities removed the monument’s decoration almost immediately but activists later gathered later outside the Russian embassy in Sofia wearing the same masks together with signs saying: “We all are Pussy Riot.”
In Spain, about 50 young protesters, many of them punk music followers, rallied outside Barcelona’s emblematic Sagrada Familia church to decry the detention and trial of the Russian group.
“Freedom for Pussy Riot,” they chanted outside Antoni Gaudi’s masterpiece, an unfinished basilica that was consecrated by Pope Benedict XVI in 2010.
“This is very serious in the context not only of what is happening in Russia but also in Europe,” said one protester, Anna Ruiz, who bemoaned the advance of neo-liberal capitalism “to the detriment of democracy.”
“I am not a fan nor a follower of Pussy Riot but I am here because I am on holiday and to condemn repression,” said an 18-year-old student from Saint Petersburg called Katia, carrying a banner with a photo of a Pussy Riot member.
In Brussels, 50 people summoned by the Belgian branch of the human rights group Amnesty International gathered near the Russian embassy.
The protesters shouted: “Set them free. We have come to defend freedom of expression.” Others carried portraits of Putin, who appeared with heavy make-up and was renamed “Vladimir Pussy” for the occasion.
In Paris, a protest drew around 200 people, including more young women wearing the colored hoods.
“We are all Pussy Riot,” said Flore Breto, as she stood by a protester brandishing a sign with the slogan “Free the friends, jail Putin!”
Saturday, August 18, 2012
Dirty Words - Coming Soon In A New Edition
This is great news: the wonderful Renaissance E Books/Sizzler Editions will be re-printing - very, very soon - my Lammy-finalist queer erotic collection Dirty Words. Stay tuned for more info, but here's what people have said about the book:
I like M. Christian. Yes sireee. But up until now his punchy fiction has been laid on my lap drop by drop through various anthologies that have come my way. Once you’ve licked up one of his short stories, you’re left with a bitter sweet taste in your mouth that has you sniffling the air for more.
Dipping into his erotic prose is like being doused with a bucket of icy cold water on a sticky Summer’s day. It’s a sense awakening experience, which enlivens and sweeps you away in the same narrative breath. It’s dark, it’s dangerous, it’s horny, it’s mouthwatering, it’s witty and it’s sharp.
Read my lips: Read this book.
- Skin Two
#
Calling Dirty Words "provocative erotica" is like calling an orgasm "a pleasant sensation." M. Christian doesn't just peek over the edge; he grabs you and jumps and tells you a story all the way down, a story so strange and wonderful and deeply disturbing that you almost forget you're falling. You just hope you have time to find out how it ends before you hit bottom. It never ends the way you think it will.
M. Christian is that rarest of literary birds, a virtuoso stylist. Oh, I could rhapsodize about his tricolons, his parallel constructions, the noir beat of his prose rhythm. I could revel in the slow roll of his vowels, the crack of his consonants, and yes, even his assonance. But what it all means is that he reads like a dream. You can't open Dirty Words without finding a beautiful sentence.
To get the most out of M. Christian's haunting mix of rapture and horror, exaltation and degradation, love of language and lust for flesh, read him out loud. If you have someone to read him out loud to, someone who knows that the best porn is also art, you're both very lucky.
- Clean Sheets
#
As it is with anything (food, art, clothing, fill in the blanks), taste in literature is nothing if not subjective. When it comes to erotica, it is doubly so. There are some writers who, through the sheer brilliance of their work, transcend the boundaries of taste and genre in a way that appears almost effortless.
M. Christian is one of those.
Dirty Words, is a challenging and thoroughly enjoyable collection of short stories, all of which incorporates sex - and its peripheral issues - within their scope. Despite the common theme, the stories featured in the book cover a wide spectrum in terms of subject matter.
M. Christian is a writer who doesn't force the reader to labor through overblown descriptions or struggle with metaphors that don't quite 'click'. Rather, his language is so carefully chosen that it comes across as an untailored stream of consciousness: offhand, easily and very, very honest. It is the kind of writing that makes the process of reading seem unnecessary - the ideas simply exist on the page like surprises, waiting to be experienced.
I strongly recommend you experience Dirty Words by M. Christian for yourself
- Outlooks
#
Part folklore, part pornography, part horror, part brutal romance - and all erotically kick-ass. Dirty Words takes readers in a tour of 14 contorted mental interiors and labyrinthine psychic dungeons inhabiting M. Christian's mind. This is not a collection of short stories where the music swells and the camera pans to clouds passing the bedroom window on a moonlit night.
Smart, hot, and vorpal-blade sharp, Dirty Words is perfect reading for those who love their sex fantasies in-you-face and are unafraid of a little blood
- AVN Inprint
Friday, August 17, 2012
ErosZine Likes Very Bloody Marys
Here's a very flattering review of the The Very Bloody Marys (out now in a new edition from Sizzler Books) by Thomas Roche, for ErosZine:
Thomas Roche, ErosZine:
Thomas Roche, ErosZine:
With The Very Bloody Marys, prolific writer and editor M. Christian, best known for his vast contribution to the erotica genre, turns his hand to the melding of the classic San Francisco crime-noir thriller (think The Maltese Falcon) and the steamy, sexy vampire-occult tale (think TV shows Angel or The Dresden Files, or Laurell K. Hamilton's Anita Blake series of novels). That it is also an irreverent entry into the San Francisco canon of queer coming of age novels might be unexpected, given that its protagonist is a centuries-old vampire, but that aspect of The Very Bloody Marys is no less satisfying for the main character's age.
Christian is known primarily as an erotica writer, or, more accurately, one of the most widely-published authors ever to assault carnal matters. With Marys, however, that fact is evident only in the briskness of his prose and the frankness with which he treats the dark, sleazy side of the city. Far from being an entry in Christian's mind-boggling output of boldly innovative, irreverently nasty erotica, The Very Bloody Marys is a tight genre thriller with a taste for the absurd and a dry wit. But it's also about coming of age; Valentino, as a centuries-old vamp, still has a lot to learn about being a cop, and when confronted with matters of the heart he's as arrested in his development, as vulnerable and at-risk, as any teenager lost in the byways of human relationships.
Equal parts action and introspection, the 171-page thriller cooks along rapidly, following the formulas of the tried-and-true detective novel while at the same time slyly lampooning it. San Franciscans will recognize the details of their city, the smells and sounds of Fogtown after sunset. If you've walked those streets at midnight, you'll recognize them. If you never have, you'll want to book the next flight and maybe bring a cross and some holy water.
Like all the best noir thrillers, Marys is about being apart, alone, isolated; it's about finding a way to bring evil to justice, even if that justice is uglier than the crime; and first and foremost it's about redemption, as Valentino struggles to find his place in the city's nightside and make things right, while keeping his skin.
The Very Bloody Marys is a divine confection with a steaming load of pulpy goodness. It's also got its boots planted firmly in the noir tradition that crosses every sexual boundary in its search for right and wrong. And perhaps most importantly, or most immediately important, it's a deliciously enjoyable addition to three different, and too, too empty, bookshelves: queer vampires, queer noir, and late-night San Francisco adventure.
Thursday, August 16, 2012
Georgia O’Keeffe On Wheels!
Georgia O’Keeffe hitching a ride to Abiquiu, Ghost Ranch, 1944. The painter, Maurice Grosser, visited his friend O’Keeffe’s ranch in 1944. Maria Chabot photographed O’Keeffe and Grosser on his 1938 Harley-Davidson.
(via The new Cafe (racer) Society)
(via The new Cafe (racer) Society)
Tuesday, August 14, 2012
Praise for M.Christian's Very Bloody Marys
Here's a very nice round-up of some of the very flattering praise my queer horror/humor vampire novel, The Very Bloody Marys, has gotten - out now in a new edition from Renaissance E Books/Sizzler Sizzler Editions.
Kit O'Connell:
The Very Bloody Marys
Sizzler Editions
$7.99 (ebook edition, all formats)
ISBN: 9781615087792
Kit O'Connell:
It’s no secret that M. Christian and I are friends. I’ve introduced one of his books and we’ve guest blogged for each other too. So even if I’m not the most unbiased critic, I still like to highlight interesting books I read from time to time even if they are by friends of mine.
One of Chris’ many recurring themes are alternate visions of the police. One of the characters in his wonderfully weird novel near-future novel Finger’s Breadth is a freelance officer who receives his orders and files reports via a distributed police ap on his smartphone. “Bluebelle” in The Bachelor Machine explores a future cop’s intimate relationship with his police vehicle, and Christian even co-edited the anthology Future Cops.
The most recent book I read by him is The Very Bloody Marys. Like Finger’s Breadth, it takes place in an alternate San Francisco but creatures of the night. Our hero is Valentino, a young gay vampire so uncertain of his place in the world that he can’t even decide how to start telling his story at the beginning of the book, so he begins again 2 or 3 times. Somehow, despite his Lestat-like confidence or prowess, he’s been selected to join an undead police force charged with maintaining the secrecy of the undead and the weird.
Here, Valentino laments his own impending doom after his superior officer disappears:
Two hundred years. It’d been a good run. Lots of … well, there’d been blood of course. Moons. Stars. Rain. Fog. Hiding, too: all-night movie theaters, bars, discos, stables, warehouses, churches, a few synagogues (even a mosque or two) [...] Lots of … I was going to say friends but, to be honest, the nightlife might be advantageous to boogying but doesn’t make for long-term relationships. Some back-alley assignations, sticky stuff in my mouth or pants; not blood, or at least not up until a few years ago.
Two hundred sure sounds like a lot, but … the time just seemed to have hopped, skipped and jumped by. Never skied, never sailed, never surfed, never had two guys at once [...] What surprised me the most, though, was what I wanted more: orchids, bow ties, potato salad, string, oil or watercolor, hooks and line, two of everything.
The book has a breezy, playful noir style which would make it perfect summer reading. Though it doesn’t have the usual romance (though it has a handful of interesting unrequited ones), I found it especially interesting as a queer take on the torrid vampires-and-werewolves subgenre of urban fantasy.Dru Pagliassotti, The Harrow:
Zombie taxi drivers, golems of Abraham Lincoln, a four-star restaurant in the city morgue, vampires, warlocks, fairies, ghouls, and angelic apparitions: they're all denizens of The Castro's other night-life, and Valentino must bluster his way through them as he hunts for a murderous faery, his missing dickwad of a commanding officer, and — of course — the pretty and ruthless Very Bloody Marys.
M. Christian has created a character with an unforgettable, if unceasing, narrative voice, an amusing and cliche-busting antidote to the overpopulated literary ranks of hardboiled vampire detectives. The world of Le Conseil Carmin, where vampires literally work for Blood Money and protect humanity from creatures much worse than themselves, is well-wrought; the plot twists, although initially baffling, all get satisfactorily straightened out; and Valentino, a less-than-enthusiastic member of Le Corps Policier Contre, has a self-conscious charm that will appeal to a broad spectrum of readers.
Fresh, quirky, and irreverent, The Very Blood Marys is a vampire novel for readers who've become bored with vampires.Mari Adkins, Apex Science Fiction:
The Very Bloody Marys isn't so much a vampire novel--the vampires are far and away from Bram Stoker, and I'm glad for that--as it is a good, old-fashioned mystery. I hate be cliché and say "This book is a classic page-turner," but it is! The plot is quick-paced, and Valentino is as sexy as he is funny. The story is packed with a full, colorful cast of characters ranging from vampires, ghouls, and faeries. Oh, and a zombie or two. If you're hungry for a different kind of vampire book, don't miss this one!Steve Williams, Muse Review:
Deftly, M. Christian has created a novel that is, in fact, a coming of age story in a sugary horror coating. Valentino goes through trials, such as confronting three Marys on Vespors, getting attacked by a pissed off Irish Faery called Liam - I kid you not - and having to contend with a chauffer called Mariah - please, God, let Mariah Carey play him in the movie, a zombie in drag, and she could warble all she'd like off camera just as long as, for those few seconds, she shuts the hell up (like her songs though!) - who is less than forthcoming when it comes to information or help of any kind. And so, time after time, Valentino must battle forces he has... well... to say he has no comprehension of wouldn't be quite fair. It's rather like giving an infant a blow torch and not expecting him to roast his little apple cheeks off (I'm suddenly quite hungy. Mutilation, even joking, shouldn't do that to a man).
Needless to say, there's a fair amount of swearing, some getting spanked with chains and a dollop of hard ass domineering, but you'll have to wait and see if Valintino, our underdog (who, incase anybody does want to make a film of this, I think I look quite like; hollywood, call me) makes it through this ... well, not alive... but... as dead as he was before... I guess.
M. Christian's writing really sparkles here, and his wit is obvious, and never labored. There's a lot to love, amongst characters like a talking cat addicted to cat nip, and a statue of Lincoln that is a wizard's personal butler. There were a few moments of perplexity on my part as I was reading through, but M. Christian does well in keeping you turning the page, and, whilst everything is tied up in the end rather niceley, this isn't forced and feels much better for it. In fact, I felt this one book would make an excellent start to a series, and I know I for one would be reading cover to cover.
There was one issue I had. Oh God, what an issue. I mean, really, Valantino fancying Nicholas Cage... well, I suppose, if you're a walking corpse your taste would change somewhat... but I'll let M. Christian off on that score, because Very Bloody Marys is one of the most entertaining little novels I've read in a good long while, and it does, as they say, exactly what it says on the tin.Out & About Magazine:
4 Muses Out of 5! ***This Weeks Recommended Read.
Don’t lock your doors – the thing that goes bump in the night is back—and he’s hot!
M. Christian, the best-selling author of Running Dry, has set out to curl your toes and your eyelashes. The Very Bloody Marys is a rollicking noir that sets the hero, a slick gay vampire cop named Valentino, against a wandering gang of vamp twinks, a killer Tinkerbell, and a world wide council of vampires that would make the Vatican seem laid-back and jovial.
Quick paced and full of eye-popping visuals, The Very Bloody Marys whisks down the plot-line at breakneck speeds, daring the reader to keep up. Back-story is held up to make way for the full throttle action that begins almost immediately, and once you’ve started the book, it may prove difficult to put down.
Christian was written the quintessential noir mystery, using sex, the night and a barrage of interesting undead characters to tell a fun and captivating story. There are several references to Humphrey Bogart, and indeed, our gay Bogie is the perfect protagonist, even if he himself doesn’t buy it.
Using all the right details, Christian has created a world that’s one part L.A. Confidential and two parts Tales of The City. The result is a sometimes hilarious, sometimes terrifying experience that will leave you thirsty for more.
Thomas Roche, ErosZine:
With The Very Bloody Marys, prolific writer and editor M. Christian, best known for his vast contribution to the erotica genre, turns his hand to the melding of the classic San Francisco crime-noir thriller (think The Maltese Falcon) and the steamy, sexy vampire-occult tale (think TV shows Angel or The Dresden Files, or Laurell K. Hamilton's Anita Blake series of novels). That it is also an irreverent entry into the San Francisco canon of queer coming of age novels might be unexpected, given that its protagonist is a centuries-old vampire, but that aspect of The Very Bloody Marys is no less satisfying for the main character's age.
Christian is known primarily as an erotica writer, or, more accurately, one of the most widely-published authors ever to assault carnal matters. With Marys, however, that fact is evident only in the briskness of his prose and the frankness with which he treats the dark, sleazy side of the city. Far from being an entry in Christian's mind-boggling output of boldly innovative, irreverently nasty erotica, The Very Bloody Marys is a tight genre thriller with a taste for the absurd and a dry wit. But it's also about coming of age; Valentino, as a centuries-old vamp, still has a lot to learn about being a cop, and when confronted with matters of the heart he's as arrested in his development, as vulnerable and at-risk, as any teenager lost in the byways of human relationships.
Equal parts action and introspection, the 171-page thriller cooks along rapidly, following the formulas of the tried-and-true detective novel while at the same time slyly lampooning it. San Franciscans will recognize the details of their city, the smells and sounds of Fogtown after sunset. If you've walked those streets at midnight, you'll recognize them. If you never have, you'll want to book the next flight and maybe bring a cross and some holy water.
Like all the best noir thrillers, Marys is about being apart, alone, isolated; it's about finding a way to bring evil to justice, even if that justice is uglier than the crime; and first and foremost it's about redemption, as Valentino struggles to find his place in the city's nightside and make things right, while keeping his skin.
The Very Bloody Marys is a divine confection with a steaming load of pulpy goodness. It's also got its boots planted firmly in the noir tradition that crosses every sexual boundary in its search for right and wrong. And perhaps most importantly, or most immediately important, it's a deliciously enjoyable addition to three different, and too, too empty, bookshelves: queer vampires, queer noir, and late-night San Francisco adventure.... and some short reviews:
M. Christian creates a variety of quirky characters from wizards to zombies to fairies, and the tone captures the feeling of a fast-paced horror movie, alternately funny and creepy.
- HorrorWorld
Atmospherically potent and stylishly polished, Christian marries suspense, terror, black humour and romance intelligently and wittily making The Very Bloody Marys a smart and fun addition to the bloodsuckingly camp vampire genre.
- GayDar Nation
Sizzler Editions
$7.99 (ebook edition, all formats)
ISBN: 9781615087792
Sunday, August 12, 2012
Bravo!
The Mayor Of Reykjavik, Iceland At The Gay Pride Parade:
Jón Gnarr, Reykjavik's mayor, participating in today's Gay Pride Parade and showing support for female punk band Pussy Riot as they wrapped up their trial for “hooliganism” in Russia. I think it's time to move to Iceland.
Saturday, August 11, 2012
Ernest Hogan On Finger's Breadth
Here's a real treat: Ernest Hogan - who is one of my all-time favorite authors - sent me ... hang on, I have to sit down for this ... okay, my head's cleared a bit ... a fantastic blurb for my new novel, Finger's Breadth:
“FINGER'S BREATH is a real wild ride, the sort of novel you turn to when the apocalyptic mayhem out your window gets dull, and you lust for something to remind you of what it's like to live life at full-throttle. M. Christian sends the reader hurtling like a hockey puck through a world of crime, out-of-control passions, mutilation, and madness. Terms like noir and hardboiled don't quite fit -- this is more like ultraviolet, the invisible light that makes the scorpions glow in the dark.”
- Ernest Hogan
Friday, August 10, 2012
Touching Praise for FILTHY BOYS
Check out this very nice review of Filthy (now reprinted by the great Renaissance/Sizzler as Filthy Boys):
From Amazon (review by DonovanBrown):
Erotica That Reads Like Literature
I have enjoyed M. Christian’s work for a long time. His solo collection Dirty Words and his two multiple-author anthologies co-edited with Simon Sheppard, Rough Stuff and Roughed Up, are among my favorite volumes of erotica.
Which brings me to Filthy: Outrageous Gay Erotica, a new collection of gay erotic stories by M. Christian. To say this is a great book is an understatement. It runs the gamut of emotions, from anger to sadness to ecstasy to envy.
Here are capsule reviews of some of my favorite stories from Filthy…
“The Greener Grasses” in one short story captures the entire paradox of trying to reconcile a leatherfetish lifestyle into the humdrum world of 9-to-5 jobs and dishes to be washed more than volumes of scholarly non-fiction ever has.
“Flyboy” is a wistful tale of a man who has two lovers, one flesh and blood and one as big as all outdoors. Guess which one gets him in the end. You might be surprised.
“Love” reads as a tender valentine to all the gay men, imaginary or otherwise, who have inspired the author over the years to create his amazing tales of erotica.
“Suddenly, Last Thursday” is a haunting, harrowing riff on Tennessee Williams’s play Suddenly, Last Summer.
And “Friday Night at the Calvary Hotel” is an amazing tale that gets my vote for one of the top ten best short stories ever.
Filthy transcends its genre of erotica and enters the realm of literature.
I hope you enjoy it as much as I did.
Wednesday, August 8, 2012
Amos Lassen Likes Finger's Breadth
I am ... simply speechless: Amos Lassen is not just a fantastic reviewer and writer but he is also a dear friend - which makes his very touching review for my brand new (and just released) new novel, Finger's Breadth so touching. You are the best, Amos!
I have long been a fan of M. Christian. His erotic writings are what I called literary erotica and he is one of the founders of that genre. His horror writings also are in a class of literary horror and when he tells you a story, you simply cannot stop reading. When he combines horror and erotica, you are in for a special treat and that is exactly what he does in his new book, “Finger’s Breadth”. The idea for this book is clever and terrifying, probably because something like this could really happen and when you have a story that could be real, you actually shudder twice as much.
The story is set in San Francisco of the near future and something very strange is going on. Someone is haunting the city, drugging the gay men and then cutting off the tip of their little finger. But that is not all. The ensuing terror causes a transformation of the men of the city and the very idea that something like this can happen causes everyone to cower in fear. People begin to suspect each other and no one seems safe.
The story begins with a prelude that sets tone of what is to follow and from the very first line, we feel a sense of gloom as an uneasy atmosphere takes over.
Session No.: 10977642-2
Case Ref: AS-D-341945491
Date: May 7 —
Location: 1: McAllister Detention Center, RM 146
Subject Name: Kenneth Allen Wertz
Subject ID: N946671291
Interrogating Officer: Eric Knorr
Officer ID: CSS-7992309
Attorney Present: No
Officer: Okay, right, so you said you didn’t see anything?
Subject: Yeah, I didn’t see anything.
Officer: You just woke up like that, huh?
Subject: Yeah. On Muni. In the morning, I mean.
Officer: Someone cut your fucking finger off and you
didn’t see anything?
Subject: Yeah, I guess so.
Officer: Tell it to me again”
And we are off on an adventure into the unknown where things become stranger and stranger as the novel moves forward. I Feel I may have already said a great deal about the plot and I do not want to give too much away and spoil the reading experience. Suffice it to say that I was on the edge of my seat as I read. If I am to give you my opinion, let me first say that what makes this novel really unique is that it is not propelled by characters nor plot but by the story that Christian has managed to write in a way that the language and the style that pulls the reader in. For me that has always been the author’s trademark and why I was so free to use the word Literary as I described his erotica and horror stories. It is not that hard to come up with an idea that can be turned into a horror story and that is why horror has been part of the folklore of America and why these stories are so popular on camp-outs as we sit around a campfire. To successfully do this, we need a combination of characters and plot but more important than all else is a novel way to relate the story. For me that is the definition of M. Christian. This book is unlike anything I have read before and I suspect that it will stay with me for quite a while.
Tuesday, August 7, 2012
Kit O'Connell Likes The Very Bloody Marys
I really, truly, honestly have some fantastic friends - take, for example, this very touching review of my neo-noir queer vampire novel, The Very Bloody Marys (newly re-released by Sizzler Books), by my pal Kit O'Connell ... thanks so much, Kit!
It’s no secret that M. Christian and I are friends. I’ve introduced one of his books and we’ve guest blogged for each other too. So even if I’m not the most unbiased critic, I still like to highlight interesting books I read from time to time even if they are by friends of mine.
One of Chris’ many recurring themes are alternate visions of the police. One of the characters in his wonderfully weird novel near-future novel Finger’s Breadth is a freelance officer who receives his orders and files reports via a distributed police ap on his smartphone. “Bluebelle” in The Bachelor Machine explores a future cop’s intimate relationship with his police vehicle, and Christian even co-edited the anthology Future Cops.
The most recent book I read by him is The Very Bloody Marys. Like Finger’s Breadth, it takes place in an alternate San Francisco but creatures of the night. Our hero is Valentino, a young gay vampire so uncertain of his place in the world that he can’t even decide how to start telling his story at the beginning of the book, so he begins again 2 or 3 times. Somehow, despite his Lestat-like confidence or prowess, he’s been selected to join an undead police force charged with maintaining the secrecy of the undead and the weird. Here, Valentino laments his own impending doom after his superior officer disappears:
Two hundred years. It’d been a good run. Lots of … well, there’d been blood of course. Moons. Stars. Rain. Fog. Hiding, too: all-night movie theaters, bars, discos, stables, warehouses, churches, a few synagogues (even a mosque or two) [...] Lots of … I was going to say friends but, to be honest, the nightlife might be advantageous to boogying but doesn’t make for long-term relationships. Some back-alley assignations, sticky stuff in my mouth or pants; not blood, or at least not up until a few years ago.
Two hundred sure sounds like a lot, but … the time just seemed to have hopped, skipped and jumped by. Never skied, never sailed, never surfed, never had two guys at once [...] What surprised me the most, though, was what I wanted more: orchids, bow ties, potato salad, string, oil or watercolor, hooks and line, two of everything.The book has a breezy, playful noir style which would make it perfect summer reading. Though it doesn’t have the usual romance (though it has a handful of interesting unrequited ones), I found it especially interesting as a queer take on the torrid vampires-and-werewolves subgenre of urban fantasy.
Monday, August 6, 2012
Excerpt: Fingers Breadth
I'm pleased to announce that the very-cool Gay/Lesbian Fiction Excerpts blog has just posted the first chapter from my new gay thriller/erotic novel, Fingers Breadth. Here's a taste - for the rest just click here.
Looking from the window of the coffee shop. Watching from the windshield of a parked car. Staring from the glass of a very rare unbroken bus kiosk. Glaring from the side of a passing bus.
A brief summer rain had painted the city that night in reflections. Fanning saw himself everywhere, and everywhere he saw himself his expression said the same thing—Why haven’t you caught him yet?
In his ear, a Bluetooth bud whispered the Officer Wertz inquiry’s soundtrack; in his pocket, the video was playing on his phone. He didn’t need to hear or see it. No one would, but if asked he could probably rattle off every verb, every noun, every linguistic bit from when Knorr started it to when he stopped it. Knorr was good at what he did, just like the lab mice who studied crime scenes and picked up tiny bits of DNA with their finely honed tweezers.
Welcome to the decentralized world of the new San Francisco Police Department, where your specialty was all you did and generality was extinct.
Fanning was a freelancer but was supposed to be good at what he did, too. Sneering at himself reflected in the coffee shop window, he gripped the phone in his pocket. If he’d been stronger, or the plastic less durable, it would have cracked.
Glowering for an instant at his reflection in the windshield of the parked car, he pulled the phone out and flipped through a few key digital pages. As with the inquiry, he didn’t need to look at it again, but he did anyway. Better than sharing the street with his scowling mirror images.
It hadn’t changed—Wertz’s home address and where he worked were still the same. The first was across town, in the Mission. The second was just down the street, at a Gap Store.
Ten a.m. to six p.m. His shift hadn’t changed, either. But it was 6:17, and there was no sign of Wertz.
Fanning paced the wet sidewalk, searching up and down the street but mostly the blue-and-white bright- ness of the Gap store. In his ears, Wertz’s voice clicked into silence; then, as it was set on “loop,” it began again.
Just like the others. Same MO, same kind of pick-up place, same amount of Eurodin in Wertz’s system, the lab mice doing their usual fine and precise work, and the same mutilation—right hand little finger amputated at the first joint.
Again, his phone threatened to break in his hand, but again, he wasn’t strong or determined enough to do it. The beat cops who’d found Wertz sound asleep on the J Church train; the lab mice who’d analyzed the drug in his system; Knorr, who’d asked his carefully prepared and expert questions...
But then there was Fanning, who was supposed to assemble piece after piece after piece after piece until they made a picture of someone’s face.
Cutter’s face.
Looking up from where he’d been looking down, he saw a silhouette come between the blue-and-white of the Gap store. A dark shape that was about the right height, about the right build, about the right age, to be whom he was looking for. Fanning carefully released his tight grip on his phone and stepped back into a nearby alley, one carefully chosen for its heavy solitude.
Heavy solitude was just what Fanning wanted.
[MORE]
Sunday, August 5, 2012
Circlet Likes Finger's Breadth
Wow, wow, wow, wow ... if I do say so myself: check out this very touching review of my gay erotic thriller, Finger's Breadth, from the Circlet Press site.
Finger’s Breadth hinges upon a serial crime in a future just a few years from now: someone is stalking the gay community of San Francisco, drugging men one-by-one and cutting off the tips of their pinky fingers. Not quite the bloody stuff of Hollywood thrillers, but scary business nonetheless, and the book has, of course, its cop (freelance, this one) trying to track down the perpetrator, as well as its cast of scared potential victims, hooking up in bars and wondering if the glorious hunk of flesh currently occupying their fantasies is Mr. Snip-it. The book also follows Varney, a newspaper columnist who was reportedly the first victim of this unknown attacker; Taylor, a translator by profession, who had a close encounter with the serial cutter (or so he thinks) and is now shacking up with a former lover, afraid to leave the apartment; Conrad, who goes seeking for the cutter because he wants “to do more than fuck and suck… to feel really big and powerful”; and many others, some characters making only a brief appearance before they disappear again.
But the story is bigger than this crime spree, for as more and more people show up with a bit of their fingers missing, others are soon feeling left out, and some even take to cutting themselves, just to fit in—like a yakuza initiation. And many discover, whether self-inflicted or not, that the experience somehow proves validating, as if the worst that might happen to them is now behind them. In a modern society that has largely left behind rites of initiation, and among a middle-class population whose struggles may seem tiny compared to those of our forebears, how many might long for such a valedictory and validating experience? M. Christian hits upon these questions with full force, and if at times I thought he was reaching too far, exaggerating the extent to which people would embrace injury and harm, I remembered—against my will, almost—a revival I attended in Colorado Springs (very long story). One speaker was a young woman who regaled the crowd with tales of her Christ-less past of rampant drug abuse and wanton sex, yelling tearfully at the audience, “I was a whore! I was a whore before I met Jesus!” I turned to the girl with whom I had traveled to this event, only to find her gently weeping at the spectacle. Finally, she said, so longingly, “I wish I had something like that in my past. It would make my Christian witness so much stronger.”
No, M. Christian nails it right on the head, and beautifully, too, with writing poetically spare (“A scream tried to claw its way out of his throat, the sharp edges of its shame and pain like trying to throw up a breakfast of razors”) and fully realized scenes of sex that run the gamut from the desperate and uncomfortable to the absolutely celebratory, all mixing effortlessly with the horror of the broader situation. Finger’s Breadth may well rank as one of the most psychologically astute erotic novels since Leopold von Sacher-Masoch’s Venus in Furs, and it deserves to be just as widely read.
Saturday, August 4, 2012
Elisa Likes Fingers Breadth
This is too cool! The wonderful Elisa Rolle posted this nice review of my gay thriller/erotica novel Fingers Breadth on her site. Thanks so much, Elisa!
M. Christian started with a mystery and ended with a psychological thriller. There is a mad man out there picking gay men, drugging them and cutting their pinkie finger. Nothing else. It doesn’t seem a great crime, but it’s still a crime, and the police had to investigate. Problem is that the only main trait of all victims is to be gay, aside from that they are black and white, young and old, poor and rich. People is scared, private clubs close down every day and in the meantime, day after day, a new victim joins the club… since now, being a victim of the Cutter is trendy, if you are not one, then probably you have something wrong. Now it’s not only the police that is searching for the Cutter, they are the same victims who WANT to be found. In a kind of ironic twist, the villain becomes the hero, and the reader starts to understand that everyone can be the villain, as everyone could have been the victim.
There are various life intertwining their destinies, Fanning, the freelance cop who wants to find the Cutter, but maybe he is not searching for justice; Varney, the first victim, a newspaper reporter who is now following the case and who apparently is the only one who can see that being a victim is not a great thing; Taylor, the only victim who escaped with all his intact fingers, but who is not more scared than before; Trancherman0191, who trolls the gay chats in search of “victims”… but in the end, all of them can be a victim and all of them can be the Cutter, and truth be told, you will realize it’s no more important to know who is the Cutter, because he realized what seemed impossible to achieve, he levelled all men to the same point, he allowed the shy to be bold, the bold to be scared, the victim to be aggressor and the aggressor to be victim. Removing that "finger's breadth" that separate men from madness, he also removed the reason why they were different.
Not all the men in this story will find their balance, but I think some of them did. I have high hope for Varney and Taylor, that they will be able to understand what is really important in life and that maybe they will give a chance to love, a chance that till now they were too scared to see.
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